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©Copyright 2005 NCAC
WEB DESIGN
Jeanne Criscola Criscola Design
free speech first amendment censorship
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The
Cuban Museum of Arts and Culture had leased its
building from the city of Miami for a number of
years without incident. After entering a second
three-year lease with the city, the museum began
to prepare for a fundraising auction. Several
of the works chosen for the auction were created
by artists who either had not renounced the Castro
regime or had continued to live in a communist
Cuba. Because of the inclusion of such works,
the auction was met with hostility and controversy,
which surrounded the museum for the nearly three
years that followed. After receiving numerous
allegations of misconduct by the museum, the City
Commission sought and received advice from the
City Attorney that eviction proceedings would
be unsuccessful. The commission noted its displeasure
with its inability to evict the museum. It then
passed a motion resolving not to renew the lease
with the museum and voted to look for a city-owned
site for a Cuban museum to be run by the opponents
of the current museum’s directors. When
its lease was not renewed, the museum brought
this action to the court.
The Court’s inquiry focused on whether the
city had denied the museum its continued possession
of the building on the basis of the directors’
exercise of their First
Amendment rights. The museum directors bore
the initial burden of showing that their conduct
was constitutionally protected and that the conduct
was a substantial or motivating factor in the
city’s decision to deny a benefit, in this
case, the lease renewal. Once the museum made
such a showing, the burden shifted to the city
to show that the lease renewal would have been
denied in the absence of the protected conduct
or expression.
The Court found that the museum’s exhibit
and auction of art works without regard to the
artists’ political beliefs and ideology
was constitutionally protected expression. Moreover,
the works in question did not constitute contraband
under the Trading With the Enemy Act, as the only
connection between the works and Castro Cuba were
ideological ones based on the artists’ political
beliefs. The Court also found that the city commission
had been influenced by the community outcry over
the art in its decision to end the museum’s
possession of the building.
The city argued that would have made the decision
not to renew the museum’s lease even in
the absence of its expressive activity, citing
allegations that the museum’s directors
unlawfully were making a profit from the auctions
and that the museum was failing to comply with
insurance requirements. Based on evidence that
the city commission either did little to investigate
the allegations or, when it did investigate, found
no evidence sufficient to evict the museum, the
Court found that the city’s actions were
motivated by the museum’s exercise of its
First Amendment rights. Had the museum not exhibited
or auctioned the controversial art, the city would
not have acted to deny its use of the premises.
In sum, the court found that the city’s
decision to punish the museum for its speech was
an abuse of the city government’s discretion
to act in the public interest. Accordingly, the
Court ruled that the city could not deny the museum
continued use of its premises. |
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materials are not intended, and should not be used, as
legal advice. They necessarily contain generalizations
that are not applicable in all jurisdictions or circumstances.
Moreover, court decisions may be superceded by subsequent
rulings, and may be subject to alternative interpretations.
Corrections, clarification, and additions are welcome.
Please send to ncac@ncac.org. |
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