Copyrights are meant to encourage innovation and creative activity by protecting the product of a musician, artist, writer, or scientist’s work. A copyright is a property right in an original work that gives the holder the exclusive right to control the reproduction, distribution, and other use of the original work, including the right to make new works derived from the original. With these protections, the creator can be sure to reap the rewards of his or her own work without fear that someone else will appropriate it. Copyrights can be distinguished from trademarks in that they protect a specific piece of work, where trademarks protect a brand image.
The challenge inherent in copyright law is in achieving the proper balance between the copyright holder’s interest and others’ First Amendment freedom of expression. Because these two interests are often at odds, four key “safety valves” have been developed to help maintain this delicate balance. The “idea/expression” doctrine allows only the expression of an idea to be protected, but not the idea itself. Certain concepts, for example the theme of star-crossed lovers, are so wide-spread in society that it would be unreasonable to consider them copyrighted. In this way, no one can have a monopoly on an idea. The first-sale rule gives copyright holders only the right to the first sale of their work. Afterwards, the buyer can resell or give the work to another. The third safety valve is a limitation of the length of time a work receives protection. After a copyright’s expiration, the work enters the “public domain” and may be used by anyone. Recent amendments to the original Copyright Act, such as the 1998 Sonny Bono Copyright Term Extension Act, have extended the copyright period, generating heated debate. Critics fear that these extensions make academically and socially valuable work inaccessible to the public by delaying their entry into the public domain.
The fourth and final “safety valve” allows appropriation even before the copyright’s expiration. The fair use doctrine permits the use of copyrighted works for scholarship, journalism, criticism, or parody (only if the appropriation specifically criticizes or comments on the copyrighted work itself and not society at large). Most copyright/censorship issues arise under the fair use doctrine. To help courts distinguish between fair use and infringement, several factors are considered. They include the purpose and character of the use, the nature of the copyrighted work, the amount and substantiality of the copying or appropriation, and the effect upon the potential market or value of the copyrighted work. Although these factors appear straightforward, application of the fair use doctrine has been inconsistent and unpredictable. This uncertainty has led to a chilling effect where individuals refrain from questionable fair use of copyrighted works out of fear of being prosecuted for copyright infringement. Often, these are smaller groups or individuals who cannot afford to purchase licensing rights from a copyright holder or the litigation following infringement.
A developing controversial area of copyright law involves emerging technology and its implications. With the advent of the Internet and sharing capabilities, copyright holders have pushed for more stringent restrictions on file sharing. Consequently, with an increased ease in copying, there has been shrinkage of what is considered “fair use” and an enlargement of protection for copyrights. The most publicized area of copyrights and technology has occurred in the music industry, where record labels have gone after file-sharing devices like Napster. Congress has taken action in the form of the Digital Millennium Copyright Act (DMCA), which seeks to prevent illegal copying with new technology. However, its effect has been to further tighten and restrict copyright law, so that legal use of copyrighted materials becomes illegal when done electronically.
Another controversial area of copyright law is over whether it is constitutionally permissible to restore copyright protection to works that were already a part of the public domain the United States. The 2011 Supreme Court case of Golan v. Holder will resolve whether whether a law restoring copyright to works previously in the public domain violates the the Progress Clause of the Constitution and/or First Amendment. Check the NCAC website for updates about this important copyright case.
The following cases and resources illustrate the issues that arise under the Copyright Act and provide further information and commentary.
- The United States Copyright Office
- Visual Artists Rights Act (Section 106A) A 1990 modification of the Copyright Act of 1976 that specifically provides protection for visual artists’ works without requiring registration of a copyright.
- Read the full text of the VARA and Copyright Act of 1976