Chris Finan is NCAC’s Executive Director. He previously served as the director for the American Booksellers for Free Expression, part of the American Booksellers Association (ABA). In 1982, he joined Media Coalition, a trade association that defends the First Amendment rights of booksellers, publishers, librarians and others who produce and distribute First Amendment-protected material. In 1998, he became president of the American Booksellers Foundation for Free Expression. The foundation merged with ABA in 2015.
Finan is the author of From the Palmer Raids to the Patriot Act: A History of the Fight for Free Speech in America (Beacon Press) and editor of National Security and Free Speech: The Debate Since 9/11 (International Debate Education Association). His latest book is Drunks: An American History (Beacon Press).
Svetlana Mintcheva joined NCAC after years of academic teaching and research on post World War II art and literature. Having spent a large part of her academic career analyzing provocative art and its socio-political contexts, she is happy to be on the front lines protecting the coexistence of a diversity of voices in the cultural sphere. Svetlana has published and presented multiple papers on contemporary art and writing — most recently, she co-edited Censoring Culture: Contemporary Threats to Free Expression (2006, The New Press). She curated the 2007 exhibition “Filth, Treason, Blasphemy?: Museums and Censorship,” at the McCormick Tribune Freedom Museum in Chicago, IL and conceived “Exposing the Censor Within,” a traveling interactive public art installation, which opened in California in March of 2007.
An academic and an activist, Mintcheva has taught literature and critical theory at the University of Sofia, Bulgaria and at Duke University, from which she received her Ph.D. in critical theory in 1999. She currently teaches part-time at New York University. Her academic research and writing focus on postmodern literature and aesthetic provocations as well as issues in censorship and ethics.
Jas Chana is NCAC’s Communications Director. He has a Master’s degree in Religious Studies and Journalism from New York University and a Bachelor’s in Theology from Durham University. Prior to joining NCAC he worked as a journalist for a number of years. His reporting and writing can be found in Tablet Magazine, The New York Observer and Religion Dispatches, among other publications.
Program Associate, Youth Free Expression Program
Abena Hutchful is a lawyer with a background in human rights and media advocacy. She holds a BA in Government and Psychology from Wesleyan University and a JD/LL.M in Int’l Human Rights from Northwestern University. Prior to law school, she spent five years as a communication specialist with the UN Refugee Agency in Ghana and Youth Action International in Liberia and Sierra Leone. There, she designed public information campaigns advocating for the rights of displaced children to education, health and legal protection. While at Northwestern, she was a consultant for the Tanzania Evidence Law Reform Project, where she co-authored model legislation for enhanced government transparency and accountability. She was also a legal consultant for UN OCHA in Sudan, were she served on the Monitoring and Reporting Mechanism Task Force on Grave Violations Against Children. She joined NCAC in 2017 to lead the Youth Free Expression Project, advocating for the rights of youth to freely read, inquire, and express their views.
Program Associate, Arts Advocacy Program
Joy Garnett is a visual artist and writer living in Brooklyn, New York. She received her BA in Humanities and Middle East Studies from McGill University, studied painting at L’Ecole des Beaux-Arts in Paris and completed her MFA at The City College of New York. She was the Arts Editor for Cultural Politics (2005-2016), a peer-reviewed cultural theory journal published by Duke University Press. Joy served on the Committee for Intellectual Property at the College Art Association and has written extensively about art, copyright, and fair use for publications that include Harper’s, M/E/A/N/I/N/G, Journal of Visual Culture, Artnet, and Art21 Magazine. Her paintings have been shown at the Milwaukee Art Museum, MoMA-PS1, Whitney Museum of American Art, FLAG Art Foundation, Boston University Art Gallery, Houston Center for Contemporary Craft, Museum of Contemporary Craft Portland, BALTIC Centre for Contemporary Art, Newcastle upon Tyne, UK and Witte Zaal in Ghent, Belgium.
Finance & Administration