NCAC urges Cleveland State University to remove the cover the University used to block from view a political text featured on a sculpture displayed on campus.
The University of Kentucky has unveiled a new site-specific public artwork by Philadelphia artist Karyn Olivier, commissioned in response to a heated controversy around a fresco that students said was traumatizing, creating a model for balancing conflict and tensions around campus art.
Early last Tuesday morning (March 6), the Kalamazoo City Commission voted 5-1 to remove Fountain of the Pioneers. The decision follows a flurry of recent protests by local activist groups, indigenous people, residents and historians. NCAC is concerned by the swiftness of this decision and cautions that such determinations should not be made in hasty emotional response to complaints.
A sneaker and apparel company has bricked over an iconic Harlem mural as they re-brand the exterior of their new store. Community members are concerned about the erasure of this tribute to the Harlem Renaissance and the the artists living and working in Harlem today and are questioning its legality.
Rep. Clay, in a statement issued by his office in St. Louis, said the painting’s removal has “sent a chilling message to young Americans that their voices are not respected, their views are not valued, and their freedom of expression is no longer protected in the U.S. Capitol.”
The disciplinary charges constitute a neglect of Winthrop’s role as a ‘marketplace of ideas’ and its responsibilities under the First Amendment.
A California government official removed an artwork from a public building because he determined that it was “obscene.” The First Amendment exists to prevent this kind of thing, and the piece is back up.
Update: Lawrence, KS officials have banned the project, saying the proposed art installation would amount to animal cruelty. The Kansas code allows “with respect to farm animals” for “normal or accepted practices of animal husbandry, including the normal and accepted practices for the slaughter of such animals for food or by-products and the careful or […]
It’s true that the Smithsonian’s Flashpoints and Faultlines forum was too late for Hide/Seek, but keeping the issues alive months after the exhibit closed may be the right timing for the future of this public institution. It was no surprise that in his welcoming remarks Wayne Clough described himself as having no choice but to […]
The Marin County Civic Center has chosen to eliminate a nude painting by San Rafael artist Sylvia Cossich Goodman from a public exhibition. The full-frontal nude was accepted through what we can assume was a standard submission process, and was up in public for a week. So why take it down now? Because an employee […]
Button brought back from the March 2011 Culture Wars symposium with the Corcoran and Transformer DC.
Unveiled in 1922, Frederick MacMonnies’ Triumph of Civic Virtue was called sexist from the get go. And sexist it unarguably is (to an extent that it borders on a parody of sexism): Virtue is a club-wielding man, while Vice is two women being trampled beneath Virtue’s feet. The statue stirred up so much public debate […]
A mural announcing LA MOCA’s upcoming Art in the Streets exhibition, a survey of street art over the past four decades, was painted over – upon orders from the Museum – shortly after it appeared on December 8th. Was this an act of censorship or an exercise of legitimate curatorial control? The answer may depend on your definition of both terms.
The Executive Director of the Springfield Business Improvement District (SBID) in Massachusetts has issued a formal apology for painting over the underside of a resident artists’ artwork. Robert Markey was asked to paint a “sneaker” for the “Art and Soles” project – giant sneakers covered the town in hopes to illustrate “what makes Springfield great.” […]
Over the holiday weekend, the town of Bemidji, Minnesota removed a piece of public artwork by Deborah Davis entitled Gaea. It is a statue of a beaver, one of ten in the city. The reason for its removal was over what was depicted on the beaver’s belly. The artist said it is supposed to be […]
In one of the more recent public controversies to hit the NCAC’s arts advocacy radar, two murals from a series commissioned for a Cincinnati Arts Center (CAC) exhibition were recently destroyed – one vandalized by unknown actors, the other whitewashed by a disgruntled site owner. The two murals, by former street artist Shepard Fairey (whose […]
Temecula city management, which was responsible for removing a nude artwork from an exhibition in January, has decided not to create a written policy for the selection of artworks in city-owned exhibition spaces. Instead, Temecula’s Community Services Director Herman Parker (or someone designated by him) will partake in the selection process. NCAC Director of Programs, […]
In January, artwork by Jeff Hebron, which had been selected for inclusion in a Temecula, CA juried art exhibit (Visual Expressions 2010), was removed upon the request of the City Management. The problem: the painting depicted a nude figure. The gallery where the piece was to be shown is a city-owned space, which is why […]
A billboard with the words “Don’t Believe In God? You are not alone” was removed from a site in downtown Cincinnati because of threats received by the owner of the site. Even though both the freedom of religion (including the freedom to not believe in god) and freedom of expression are among the founding principles […]
This week, “Walking Man,” a sculpture of a nude man, was removed from the public space in front of the Anton Art Center in mount Clemens, MI, because of individual complaints. That city officials should respond to the complaints of a few vocal community members by removing an art work from a public space is […]